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Notes from Southern Alberta
Essay 2 min 24 May 2026 Lethbridge

On posting less, writing more

Why the canonical home matters when the platform moves under your feet.

Spent a year posting to LinkedIn and watching the same paragraphs decay inside a feed that owes me nothing. This is the case for the canonical home.

There’s a version of this writing where I keep posting essays to LinkedIn and never own the URL they live at. That version has the upside of distribution. It has the downside of being one product decision away from disappearing.1

The site you are reading is the source of record. LinkedIn becomes a distribution channel for the same words. Notes from the coulee bench in Lethbridge, photo essays from the Columbia Icefields, longer pieces that need room to breathe.

I’ve been pretending the platform is the work. The work is the work. The platform is a way to find readers, and a fragile one.

What changed

Three things, mostly:

The site is the work. The platform is a way to find readers, and a fragile one.

How it ships

The stack is small on purpose. Astro on Cloudflare Workers. Markdown in, site out. No CMS, no admin, no JavaScript except where a specific feature demands it.

The other reason to build this: the rhythm of writing for my own roof is different. There’s no algorithmic register to flatter, no opening hook engineered for a thumbstop. You start where the thought starts.2

I expect the first six months to be slow and uneven. That’s what a journal is supposed to be.

Footnotes

  1. Stream UIDs, image IDs, and frontmatter all live in the repo. Nothing about the journal is locked to a vendor I can’t walk away from in an afternoon.

  2. And finish when the thought finishes. The LinkedIn ideal length is roughly 1,400 characters. The essay ideal length is “as long as it needs to be.”